This article argues that it is impossible to understand the genesis, evolution, or cultural significance of the “more popular than Jesus” controversy which engulfed the Beatles in 1966 without paying close attention to Arthur Unger, the man whose decision to reprint an interview with John Lennon in his magazine Datebook sparked the furore. Contrary to the conventional wisdom repeated in countless books and articles dealing with the “Jesus” controversy, Datebook was not a typical teen magazine, but rather a politically progressive publication that gay publisher-editor Unger used to expose various kinds of intolerance and bigotry to American teens. The article explains how Unger had been working with the Beatles both to make money and to adva...